Marco Paolini Picture

Marco Paolini is the President of Digital Film Tools. Over the years, his visual effects, commercials, music videos, and documentaries have brought him numerous Telly and Addy awards. Marco was the Senior Compositor at Digital FilmWorks for eight and half years. Marco worked his way up through the special effects ranks, advancing from videotape operator, to editor, to effects editing and finally to digital compositing. His most recent feature film special effects work can be seen in The Last Samurai, The Terminal, The Ring 2, Elizabethtown and Talladega Nights: The Ballad of Ricky Bobby while a complete list of credits can be seen at: http://www.imdb.com.

Peter W. Moyer is the co-founder of Digital Film Tools. Previously he was the President and Owner of Digital FilmWorks, a Los Angeles based visual effects company. Starting his career in Philadelphia, Peter worked as an editor on "The Mike Douglas Show" and while at KYW-TV won two Emmy awards for art direction and editing. In 1987, Peter was recruited by The Post Group and moved to the West Coast. Within two years, he was the visual effects editor of such high-profile series as "Star Trek: The Next Generation" and "Mission Impossible". Peter's work in "Pee Wee's Playhouse" earned him a third Emmy for videotape editing in 1989 and his visual effects compositing for "The Flash" captured him a Monitor Award in 1991. Peter left The Post Group in 1995 to concentrate on his newly formed company, Digital FilmWorks. Specializing in feature films, Peter supervised visual effects at Digital FilmWorks, which includes coming up with innovative solutions to everyday special effects challenges.

Paul Miller

Paul Miller has been writing image processing and visual effects software for over 20 years. Among the dozens of graphics applications he has written his work includes Elastic Reality for Silicon Graphics workstations, the Python-scriptable Useful Things engine for Adobe After Effects, and powerful photo editing apps for iOS.

Paul is also a member of the Visual Effects Society.